O.Wilde, Preface to 'The Picture of Dorian Gray'

The artist is the creator of beautiful things. (...)
Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.
Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope.
They are the elect to whom beautiful things mean only Beauty.
There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. (...)

No artist is ever morbid. The artist can express everything. (...)
All art is at once surface and symbol. Those who go beneath the surface do so at their peril.
Those who read the symbol do so at their peril.
It is the spectator, and not life, that art really mirrors.
Diversity of opinion about a work of art shows that the work is new, complex, and vital.
When critics disagree the artist is in accord with himself...


O. Wilde (1854-1900),
Preface to 'The Picture of Dorian Gray'


Showing posts with label Robert Southey. Show all posts
Showing posts with label Robert Southey. Show all posts

Thursday, December 09, 2010

Robert Southey, The Story of the Three Bears, the original Goldilocks story

Robert Southey
(1774-1843)



Minor English Romantic poet
(1st generation)

& writer, historian, biographer







The Story of the
             Three Bears,
                              the original Goldilocks story


ONCE upon a time there were three Bears, who lived together in a house of their own in a wood. One of them was a Little, Small, Wee Bear; and one was a Middle-sized Bear, and the other was a Great, Huge Bear. They had each a pot for their porridge, a little pot for the Little, Small, Wee Bear; and a middle-sized pot for the Middle Bear; and a great pot for the Great, Huge Bear. And they had each a chair to sit in: a little chair for the Little, Small, Wee Bear; and a middle-sized chair for the Middle Bear; and a great chair for the Great, Huge Bear. And they had each a bed to sleep in: a little bed for the Little, Small, Wee Bear; and a middle-sized bed for the Middle Bear; and a great bed for the Great, Huge Bear.
One day, after they had made the porridge for their breakfast and poured it into their porridge pots, they walked out into the wood while the porridge was cooling, that they might not burn their mouths by beginning too soon to eat it. And while they were walking a little old woman came to the house. She could not have been a good, honest, old woman; for, first, she looked in at the window, and then she peeped in at the keyhole, and, seeing nobody in the house, she lifted the latch. The door was not fastened, because the bears were good bears, who did nobody any harm, and never suspected that anybody would harm them. So the little old woman opened the door and went in; and well pleased she was when she saw the porridge on the table. If she had been a good little old woman she would have waited till the bears came home, and then, perhaps, they would have asked her to breakfast, for they were good hears-a little rough or so, as the manner of bear's is, but for all that very good-natured and hospitable. But she was an impudent, bad old woman, and set about helping herself.
So first she tasted the porridge of the Great Huge Bear, and that was too hot for her; and she said a bad word about that. And then she tasted the porridge of the Middle Bear, and that was too cold for her; and she said a bad word about that, too. And then she went to the porridge of the Little, Small, Wee Bear, and tasted that, and that was neither too hot nor too cold, but just right; and she liked it so well that she ate it all up; but the naughty old woman said a bad word about the little porridge pot, because it did not hold enough for her.
Then the little old woman sat down in the chair of the Great, Huge Bear, and that was too hard for her. And then she sat down in the chair of the Middle Bear, and that was too soft for her. And then she sat down in the chair of the Little Small, Wee Bear, and that was neither too hard nor too soft, but just right. So she seated herself in it, and there she sat till the bottom of the chair came out, and down came she, plump upon the ground. And the naughty old woman said wicked words about that, too.
Then the little old woman went upstairs into the bedchamber in which the three Bears slept. And first she lay down upon the bed of the Great, Huge Bear, but that was too high at the head for her. And next she lay down upon the bed of the Middle Bear, and that was too high at the foot for her. And then she lay down upon the bed of the Little, Small, Wee Bear, and that was neither too high at the head nor at the foot, but just right. So she covered herself up comfortably, and lay there till she fell asleep. By this time the three Bears thought their porridge would be cool enough, so they came home to breakfast. Now the little old woman had left the spoon of the Great, Huge Bear standing in his porridge.
"SOMEBODY HAS BEEN AT MY PORRIDGE!"
said the Great, Huge Bear, in his great gruff voice. And when the Middle Bear looked at his, he saw that the spoon was standing in it, too. They were wooden spoons; if they had been silver ones the naughty old woman would have put them in her pocket.
"SOMEBODY HAS BEEN AT MY PORRIDGE!" said the middle Bear, in his middle voice.
Then the Little, Small, Wee Bear looked at his, and there was the spoon in the porridge pot, but the porridge was all gone.
"SOMEBODY HAS BEEN AT MY PORRIDGE, AND HAS EATEN IT ALL UP!" said the Little, Small, Wee Bear, in his little, small, wee voice.
Upon this the three Bears, seeing that some one had entered their house and eaten up the Little, Small, Wee Bear's breakfast, began to look about them. Now the little old woman had not put the hard cushion straight when she rose from the chair of the Great, Huge Bear.
"SOMEBODY HAS BEEN SITTING IN MY CHAIR!" said the Great, Huge Bear, in his great, rough, gruff voice.
And the little old woman had squatted down the soft cushion of the Middle Bear.
"SOMEBODY HAS BEEN SITTING IN MY CHAIR!" said the Middle Bear, in his middle voice.
And you know what the little old woman had done to the third chair.
"SOMEBODY HAS BEEN SITTING IN MY CHAIR, AND HAS SAT THE BOTTOM OUT OF IT!"
said the Little, Small, Wee Bear, in his little, small, wee voice.
Then the three bears thought it necessary that they should make further search; so they went upstairs into their bedchamber. Now the little old woman had pulled the pillow of the Great, Huge Bear out of its place.
"SOMEBODY HAS BEEN LYING IN MY BED!" said the Great, Huge Bear, in his great, rough, gruff voice.
And the little old woman had pulled the bolster of the Middle Bear out of its place.
"SOMEBODY HAS BEEN LYING IN MY BED!" said the Middle Bear, in his middle voice.
And when the Little, Small, Wee Bear came to look at his bed, there was the bolster in its place, and upon the pillow was the little old woman's ugly, dirty head-which was not in its place, for she had no business there.
"SOMEBODY HAS BEEN LYING IN MY BED-AND HERE SHE IS!" said the Little, Small, Wee Bear, in his little, small, wee voice.
The little old woman had heard in her sleep the great, rough, gruff voice of the Great, Huge Bear, but she was so fast asleep that it was no more to her than the moaning of wind or the rumbling of thunder. And she had heard the middle voice of the Middle Bear, but it was only as if she had heard some one speaking in a dream. But when she heard the little, small, wee voice of the Little, Small, Wee Bear, it was so sharp and so shrill that it awakened her at once. Up she started, and when she saw the three bears on one side of the bed she tumbled herself out at the other and ran to the window. Now the window was open, because the Bears, like good, tidy bears as they were, always opened their bedchamber window when they got up in the morning. Out the little old woman jumped, and whether she broke her neck in the fall or ran into the wood and was lost there, or found her way out of the wood and was taken up by the constable and sent to the House of Correction for a vagrant as she was, I cannot tell. But the three Bears never saw anything more of her.


About Robert Southey's story for children: "The Story of the Three Bears":

Perhaps Robert Southey’s most enduring contribution to literary history is the immortal children's classic, The Story of the Three Bears, the original Goldilocks story, (often known today as "Goldilocks and the Three Bears").
This famous children's story was already known at Southey’s time but it was present only in the oral tradition.  Robert Southey was the first author to record it in narrative form and so it was first published in a volume of his writings (‘The Doctor’) in 1837. (The same year, writer George Nicol published a version in rhyme based upon Southey's prose tale, with Southey approving it). Both versions tell of three bears and an old woman who trespasses upon their property. Since then, a many publications of the story, told by different authors, followed and it is important to point out that the tale  experienced two significant changes during its early publication history. Southey's elderly antagonist (an old hairy woman, described at various points in the story as impudent, bad, foul-mouthed, ugly, dirty and a vagrant)  was transformed in fact into a pretty little girl called Goldilocks, and his three male bears (once known as “Little, Small, Wee Bear,  Middle-sized Bear, and Great, Huge Bear”)  became Father, Mother, and Baby Bear. What was originally a fearsome oral tale became a cozy family story with only a hint of menace. The story has seen various interpretations and has been adapted to board game format, film, opera, and other media. "The Story of the Three Bears" is really one of the most popular fairy tales in the English language.

Robert Southey, Donica, a Ballad


Robert Southey                                              
(1774 – 1843)  

Minor English Romantic poet

(1st generation)


 Donica, a Ballad
                                                                 
Author Note:
In Filand there is a castle which is called the New Rock, moated about with a river of unfounded depth, the water black and the fish therein very distateful to the palate. In this are spectres often seen, which foreshew either the death of the Governor, or some prime officer belonging to the place; and most commonly it appeareth in the shape of a harper, sweetly singing and dallying under the water.
It is reported of one Donica, that after she was dead, the devil walked in her body for the space of two years, so that none suspected but that she was still alive; for did both speak and eat, though very sparingly; only she had a deep paleness on her countenance, which was the only sign of death. At length a Magician coming by where she was then in the company of many other virgins, as soon as he beheld her he said: "fair Maids, why keep you company with the dead virgin whom you suppose to be alive?" when taking away the magic charm which was tied under her arm, the body fell down lifeless and without motion.
The following Ballad is founded on these stories. They are to be found in the notes to The Hierarchies of the Blessed Angels; a Poem by Thomas Heywood, printed in folio by Adam Islip, 1635.

              .......................

High on a rock, whose castled shade
Darken'd the lake below,
In ancient strength majestic stood
The towers of Arlinkow.

The fisher in the lake below
Durst never cast his net,
Nor ever swallow in its waves
Her passing wings would wet.

The cattle from its ominous banks
In wild alarm would run,
Tho' parched with thirst and faint beneath
The summer's scorching sun.

For sometimes when no passing breeze
The long lank sedges waved,
All white with foam and heaving high
Its deafening billows raved;

And when the tempest from its base
The rooted pine would shake,
The powerless storm unruffling swept
Across the calm dead lake.

And ever then when Death drew near
The house of Arlinkow,
Its dark unfathom'd depths did send
Strange music 
from below.

The Lord of Arlinkow was old,
One only child had he,
Donica was the Maiden's name
As fair as fair might be.

A bloom as bright as opening morn
Flush'd o'er her clear white cheek,
The music of her voice was mild,
Her full dark eyes were meek.

Far was her beauty known, for none
So fair could Finland boast,
Her parents loved the Maiden much,
Young EBERHARD loved her most.

Together did they hope to tread
The pleasant path of life,
For now the day drew near to make
Donica Eberhard's wife.

The eve was fair and mild the air,
Along the lake they stray;
The eastern hill reflected bright
The fading tints of day.

And brightly o'er the water stream'd
The liquid radiance wide;
Donica's little dog ran on
And gambol'd at her side.

Youth, Health, and Love bloom'd on her cheek,
Her full dark eyes express
In many a glance to Eberhard
Her soul's meek tenderness.

Nor sound was heard, nor passing gale
Sigh'd thro' the long lank sedge,
The air was hushed, no little wave
Dimpled the water's edge.

Sudden the unfathom'd lake sent forth
Strange music
from beneath,
And slowly o'er the waters sail'd
The solemn sounds of Death.

As the deep sounds of Death arose,
Donica's cheek grew pale,
And in the arms of Eberhard
The senseless Maiden fell.

Loudly the youth in terror shriek'd,
And loud he call'd for aid,
And with a wild and eager look
Gaz'd on the death-pale Maid.

But soon again did better thoughts
In Eberhard arise,
And he with trembling hope beheld
The Maiden raise her eyes.

And on his arm reclin'd she moved
With feeble pace and slow,
And soon with strength recover'd reach'd

Yet never to Donica's cheek
Return'd the lively hue,
Her cheeks were deathy, white, and wan,
Her lips a livid blue.

Her eyes so bright and black of yore
Were now more black and bright,
And beam'd strange lustre in her face
So deadly wan and white.

The dog that gambol'd by her side,
And lov'd with her to stray,
Now at his alter'd mistress howl'd
And fled in fear away.

Yet did the faithful Eberhard
Not love the Maid the less;
He gaz'd with sorrow, but he gaz'd
With deeper tenderness.

And when he found her health unharm'd
He would not brook delay,
But press'd the not unwilling Maid
To fix the bridal day.

And when at length it came, with joy
They hail'd the bridal day,
And onward to the house of God
They went their willing way.

And as they at the altar stood
And heard the sacred rite,
The hallowed tapers dimly stream'd
A pale sulphureous light.

And as the Youth with holy warmth
Her hand in his did hold,
Sudden he felt Donica's hand
Grow deadly damp and cold.

And loudly did he shriek, for lo!
A Spirit met his view,
And Eberhard in the angel form
His own Donica knew.

That instant from her earthly frame
Howling the Daemon fled,
And at the side of Eberhard
The livid form fell dead.
                                          
Robert Southey



Author note: